<p>A megalith rises from a sandy desert – or rather, a scale model of such a landscape. “I am the archive”, says a young female voice while ominous string music nails viewers to their seats. This opening sets the stage for the narrative and figurative language of Rithy Panh’s dense mnemonic essay which uses stunning dioramas to tell a twenty-first century dystopian story. After a century of genocidal ideologies and destructive speciesism, animals have enslaved humans and taken over the world. In a wave of hope, the statues of the past have been removed but new ones are being erected to suppress the will of the people. This is now a planet of apes, boars and lions, and a zoological revolution is reversing and recreating the atrocities of the 20th century. As animal figures watch the film archives of our world, it feels as if Lumière has been transported into a film by Méliès or Willis H. O’Brien. We are all well aware that history repeats itself first as tragedy, then as a farce. The time has now come for this farce, in which “political language inhabits our dreams and consumes us”, to allow the possibility of a “graceful and tender insubordination” to emerge.</p>
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刘艺,张文渔,刘海霞,范哲琛
三石,段艺璇,胡良伟,马斑马,姜广涛,袁铭喆,郭浩然,薄棠,王小月
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广濑裕也,鬼头明里,宫本侑芽,日野麻里,立花日菜,内田真礼,稗田宁宁,上田丽奈,市之濑加那,菲鲁兹·蓝,石见舞菜香,和泉风花,野上尤加奈,花泽香菜,吉田有里,楠木灯,千本木彩花,日高里菜,杜野真子,鲸,生天目仁美
郝祥海 Xianghai Hao,藤新,李佳怡,佟心竹,小连杀,李兰陵,涩尕猫,瞳音
中林新夏,大地叶,茅野爱衣,藤原夏海,恒松步
小林亲弘,千本木彩花,小野友树,三木真一郎,千叶繁,榎木淳弥,种崎敦美,梶裕贵,木村昴,大塚明夫,玄田哲章,折笠富美子,室元气,远藤绫,高木涉,胜杏里,冲野晃司
小林亲弘,千本木彩花,小野友树,三木真一郎,千叶繁,榎木淳弥,种崎敦美,梶裕贵,木村昴,大塚明夫,玄田哲章,折笠富美子,室元气,远藤绫,高木涉,胜杏里,冲野晃司
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Justin Fletcher,John Sparkes,Richard Webber
贾斯汀·弗莱彻,约翰·斯帕克斯,理查德·韦伯,凯特·哈伯
贾斯汀·弗莱彻,约翰·斯帕克斯,理查德·韦伯,凯特·哈伯
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